Florence + The Machine have released Everybody Scream Tour Live, a 22-track album capturing performances from their 2026 tour. Led by Florence Welch’s unmistakable voice, the collection brings together songs from Everybody Scream with established favorites including Shake It Out, Cosmic Love and Dog Days Are Over. The album arrived digitally on November 6, 2026, while a collectible triple-vinyl edition featuring tour photography is scheduled for release on March 19, 2027.
Florence + The Machine released Everybody Scream Tour Live on November 6, 2026, presenting 22 recordings from their recent concert tour. The album places Florence Welch’s vocals at the center of a set that moves between the band’s latest material and songs from earlier releases. Rather than documenting a single concert, the collection draws on performances recorded throughout the 2026 tour.
The album was first announced on October 30, with a live recording of “Which Witch” released as an advance track. When the full collection arrived a week later, “Sympathy Magic (Live)” was also highlighted. Released through Polydor and Republic Records, the digital edition runs for approximately one hour and 53 minutes, giving listeners an extended selection of the material performed during the tour.
The concerts supported Everybody Scream, the band’s sixth studio album, released in 2025. The tour traveled through North America, the United Kingdom and Europe, bringing the latest songs into a live set that also covered earlier chapters of the band’s catalog. The album’s sequencing presents those performances as a continuous listening experience, without identifying every recording with a particular venue.
Several major venues featured on the tour, including New York’s Madison Square Garden and Barclays Center. The North American run also included two sold-out appearances at the Kia Forum in Los Angeles. These concerts provide part of the background to the release, although the live album has not been presented as a recording of any one of those specific shows.
“Everybody Scream” opens the album, followed immediately by “Witch Dance.” Their placement establishes the connection to the latest studio release before the set moves into familiar territory. “Shake It Out,” originally released on 2011’s Ceremonials, arrives as the third track. Its live version retains the song’s piano-led foundation while bringing Welch’s vocals and the sound of the audience into the recording.
“Seven Devils” follows, offering a different side of the Ceremonials era. The live performance extends beyond six minutes, with the arrangement giving considerable space to the piano and vocal lines. Welch’s ability to move between restrained passages and powerful delivery is central to how songs of this kind function within the concert set.
The running order then turns to “Big God” and “Daffodil,” drawn from High As Hope and Dance Fever respectively. Those recordings connect different stages of the band’s musical development without following the chronology of their original releases. The result is a set built around the relationship between songs in performance, rather than a chronological overview of the discography.
“Which Witch” is one of the album’s particularly interesting selections. Originally included on the deluxe edition of 2015’s How Big, How Blue, How Beautiful, the song was chosen as the first preview of the live collection. Its inclusion brings an older recording back into the current tour’s repertoire, alongside songs written specifically for Everybody Scream.
Another extended performance comes with “Cosmic Love,” from the band’s 2009 debut album Lungs. Here, the recording lasts eight minutes and 39 seconds, considerably longer than the original studio version. That expanded duration provides room for the arrangement to develop and gives Welch more space to shape the performance around the song’s changing dynamics.
“Spectrum (Say My Name)” follows before the album turns toward three consecutive songs from Everybody Scream: “You Can Have It All,” “Music By Men” and “Buckle.” Their position in the middle of the running order keeps the recent material prominent. The band uses the established songs as part of the wider program without allowing them to displace the latest album.
The second half continues to move across different releases. “King” and “Heaven Is Here” come from Dance Fever, while “Howl” returns to Lungs. “The Old Religion” provides another connection to Everybody Scream. The sequence demonstrates how the 2026 tour combined songs written many years apart within the same live production.
“Sympathy Magic” appears as the 17th track, in a performance lasting six minutes and 40 seconds. Its release was highlighted alongside the arrival of the complete album on November 6. “One of the Greats” follows, extending the focus on the newer compositions before the running order reaches some of the band’s most recognizable earlier songs.
“Dog Days Are Over” is presented in a seven-minute-and-five-second live recording. The song, first released during the Lungs era, remains one of the defining pieces of the band’s catalog. Its extended version appears near the end of the album, immediately before “Free,” a track originally featured on Dance Fever in 2022.
The standard running order closes with “And Love,” while “Perfume and Milk” is included as a bonus track. Both are connected to Everybody Scream, allowing the recent studio album to remain part of the final sequence. The decision also gives the collection a closing section that differs from ending with one of the band’s earlier hit singles.
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The digital album is available now, with physical editions scheduled for March 19, 2027. The triple-vinyl package includes interchangeable cover artwork and a 12-by-24-inch foldout poster featuring photographs taken by Lillie Eiger during the tour. A special ruby-red vinyl edition is also available for preorder through the band’s official store, ahead of the planned spring release.
