Tate McRae has spent a second week at No. 1 on both the Billboard Global 200 and Global Excl. U.S. with “Housewife”. The song recorded 64.1 million worldwide streams during October 23–29, up 15%, while streams outside the US increased 32%. The charts dated November 7, 2026 also bring Jamie Miller and Felipe & Rodrigo their first Top 10 appearances.
“Housewife” has kept the double lead it secured on arrival. Tate McRae remains No. 1 on the Billboard Global 200 and Global Excl. U.S., with the song’s streaming figures increasing rather than falling after its opening days. The latest measurement covers October 23–29, giving the Canadian singer a second week at the top of both rankings and another view of how the recording is performing across different markets.
The single registered 64.1 million streams worldwide, a 15% increase, while digital sales fell 52% to 3,000, according to Luminate. The two kinds of consumption therefore moved in different directions. More listening on music services accompanied fewer purchases of the track as a download. Those figures describe separate components of the charts’ calculations, rather than two interchangeable ways of counting the same activity.
Outside the United States, “Housewife” drew 44.2 million streams, up 32%. That is the international portion of the worldwide total, not another figure to add to 64.1 million. Tate McRae therefore holds first place on the chart excluding the American market as well as the overall global list. The bigger percentage increase outside the US highlights where the most pronounced week-on-week streaming growth occurred.
Two weeks at No. 1 on the Global 200 matches the run achieved there by “Greedy”. That earlier hit led Global Excl. U.S. for five weeks in 2023–24, a mark “Housewife” has not yet equalled on that chart. The songs are Tate McRae’s two leaders on each list, but the newer release was her first to debut at No. 1 on both instead of climbing to the summit.
The song and music video arrived on October 15. Shot in the south of France, the video was directed by Pierre-Ange Carlotti with choreography by Sergio Reis. Its visual presentation accompanied the recording from the start, rather than being added only after its chart success. The latest results therefore cover a release whose video was already available during both of the weeks that took it to the global summit.
Behind Tate McRae, Karol G, Judeline and rusowsky’s “BbY WOW” rebounds from No. 3 to No. 2 on the Global 200 after six weeks at No. 1 since September. It stays second on Global Excl. U.S. ADÉLA’s “Nicole Kidman” rises to No. 3 on both charts, moving up one place on the Global 200 and two on the list excluding the US, while its best position remains No. 2.
Olivia Rodrigo and Chappell Roan’s “Expectations” stands at No. 4 on both lists. Fifth place differs: Ashe’s “Stop the Wedding!” jumps from No. 10 to No. 5 on the Global 200 for a new peak, while A2O LITE’s “Neon” takes fifth on Global Excl. U.S., down from third. The movement changes the rankings below the leaders without disturbing the second week at the summit for “Housewife”.
Jamie Miller reaches the Top 10 of both surveys for the first time. “Babydoll” climbs from No. 37 to No. 10 on the Global 200 and from No. 31 to No. 9 on Global Excl. U.S. It recorded 19.8 million worldwide streams, up 36%, and 13,000 downloads, up 55%. The Welsh singer also keeps his second consecutive week at No. 1 on the UK’s Official Singles Chart.
Brazilian duo Felipe & Rodrigo achieve a first Global Excl. U.S. Top 10 entry as “Pos (Em Brasilia)” advances from No. 16 to No. 10. The song drew 18.7 million streams outside the US, an 8% rise. That particular milestone concerns the chart excluding America and should not be treated as a Top 10 placing on the Global 200, which includes the American market as part of its worldwide data.
The global charts combine official streams and download sales from more than 200 territories. Their weighted formula includes audio and video streams on subscription and advertising-supported services, while direct-to-consumer sales are excluded. Luminate checks and verifies the data before the rankings are finalised, removing activity considered suspicious or unverifiable. A sales figure alone is therefore insufficient to explain the order of the songs across either list.
For the charts dated November 7, Tate McRae has now matched “Greedy” with two weeks leading the Global 200. “Housewife” also continues its separate run at the top of Global Excl. U.S., supported by the increase in listening beyond America. Below it, Miller’s first double Top 10 and Felipe & Rodrigo’s international milestone complete a week in which the leading song held its position while its streaming audience grew. The international listening figures remain part of the worldwide total throughout these comparisons.
