Tame Impala’s “Dracula”, which gained fresh momentum through its official JENNIE remix, recorded its strongest daily streaming result on Halloween. The song collected 2.8 million US streams on October 31, 2026, according to Luminate. The performance adds to its year-long chart run and suggests it could become one of the newer recordings that return to Halloween playlists, although that seasonal pattern remains to be established.
Halloween brought a new daily high for Tame Impala’s “Dracula”. The song registered 2.8 million streams in the United States on Saturday, October 31, exceeding its previous best despite having already spent much of the year high on music charts. The increase gives a track with an established audience another point of momentum, this time tied closely to a date that regularly brings older seasonal favourites back into circulation.
Luminate’s figures identify October 31 as the song’s biggest streaming day since release. The earlier record came on April 6, when it had moved just beyond two million US streams. The Halloween total is almost 40% higher. That comparison places the new peak alongside the period when the JENNIE remix was receiving considerable attention, showing that the latest increase surpassed an already strong moment in the recording’s history.
The year-on-year comparison is also notable. On Halloween 2025, “Dracula” recorded around 1.8 million US streams. A year later, the total reached 2.8 million, a reported rise of 56%. The track has therefore strengthened its connection with the occasion quickly, without waiting decades to be rediscovered. Its first and second Halloween performances provide an early comparison, though two years are not enough to establish a permanent seasonal tradition.
Against the immediately preceding Saturday, the change was larger still. The Tame Impala recording registered approximately 1.1 million US streams on October 24, with the October 31 result representing a reported increase of 148%. Those rounded figures underline how sharply listening rose over the holiday weekend. They concern daily American streaming consumption, rather than global totals or the number of people who watched a particular performance or social-media clip.
“Dracula” first appeared in October 2025 on Tame Impala’s “Deadbeat”. Its electronic sound, prominent bassline and nocturnal melody gave it a mood closer to a late-night confession than a conventional horror story. The title nevertheless made it an obvious fit for Halloween listening. That combination allows the song to work outside the holiday while also acquiring a seasonal association when listeners assemble music for the end of October.
The official remix featuring BLACKPINK’s JENNIE followed in February 2026. Her vocals brought the song to a wider international audience, and the collaboration gathered substantial attention on social media. That phase helped build the momentum that continued through the spring. The Halloween figures, however, describe the combined consumption of the original recording and its remix and do not attribute every stream exclusively to the remix, a distinction needed when discussing the collaboration’s contribution.
The chart run has been unusually durable. “Dracula” stands at No. 5 on the Billboard Hot 100 dated November 7, matching its highest position so far and marking its 57th week on the chart. It has also spent seven weeks at No. 1 on Radio Songs. Those results show continuing support beyond a single holiday, while the streaming increase could influence a later chart without yet establishing a new peak.
The familiar Halloween leaders remain well ahead in daily US streams. Michael Jackson’s “Thriller” recorded around ten million on October 31, followed by “Monster Mash” with seven million and Ray Parker Jr.’s “Ghostbusters” with 6.6 million. Tame Impala’s result belongs within that wider listening picture: a personal high and a strong contemporary showing, rather than the biggest Halloween song overall or a replacement for the long-established favourites.
Among more recent recordings, the comparisons are closer. Rihanna’s “Disturbia” registered about two million US streams, Lady Gaga’s “Bloody Mary” reached 1.4 million and Nelly Furtado’s “Maneater” recorded around one million. These are comparisons for the same day, October 31, 2026, in the United States. They are not lifetime totals, global rankings or predictions of which songs will return most strongly during a future Halloween.
Although its title invokes the famous vampire, “Dracula” does not tell a straightforward horror story. Its writing concerns desire and a person who seems more comfortable in darkness than daylight. The electronic arrangement and eerie vocal melodies help explain its place in Halloween playlists without limiting it to them. For Tame Impala, the song has already maintained a broad chart presence while adding another reason for listeners to revisit it.
The next chart may reflect some of that increased consumption, but a new position has not yet been confirmed and the song has not reached No. 1 on the Hot 100. Whether Tame Impala and JENNIE’s collaboration returns with similar force every Halloween will become clearer over time. For now, October 31, 2026 stands as the biggest US streaming day yet in the song’s recorded history.
