Billie Eilish has surpassed 60 billion cumulative Spotify streams across all songs on which she is credited, according to independent music data tracker Kworb. “Birds Of A Feather” leads her catalog with more than 4.1 billion plays, followed by “lovely” and “bad guy,” which have also exceeded 3 billion each. The milestone includes lead-artist recordings and featured appearances, rather than unique listeners, and has not been officially confirmed by Spotify.
Billie Eilish has crossed the 60-billion-stream threshold on Spotify, with “Birds Of A Feather” contributing the largest individual share of her catalog’s total. Kworb’s November 13, 2026 update places her combined figure at approximately 60.09 billion plays across 79 tracked songs. The numbers provide a snapshot of how recordings from several different periods of her career continue to attract listeners.
The total is a cumulative count of streams, not a measure of how many individual people have listened to her music. A listener can play the same recording repeatedly, with each eligible stream contributing to the overall figure. The calculation also incorporates songs on which she appears as a featured artist, rather than counting only tracks released under her name as the primary performer.
According to the tracking data, approximately 59.16 billion streams come from recordings on which she is credited as a lead artist, while another 932 million are attributed to featured appearances. The 79 tracks together were generating approximately 17.77 million daily plays in the November 13 snapshot, showing that the catalog continues to accumulate substantial activity.
At the top is “Birds Of A Feather,” released in May 2024 as part of her third studio album, Hit Me Hard And Soft. The track had reached approximately 4.10 billion Spotify streams by the reporting date, making it her most-streamed song in Kworb’s listing. Its lead is particularly significant because several of her earlier hits already have enormous long-term listening totals.
The recording established a strong pace soon after its release. It reached its first billion streams in 119 days, one of the faster runs to that threshold on the platform. More than two years later, its continued daily activity illustrates how a major song can extend beyond its initial release cycle and remain central to an artist’s overall streaming performance.
Drake Brings “Hate Sleeping Alone” to Spotify 15 Years Later, Revisiting the Loneliness of Take Care“Birds Of A Feather” also represents a different side of Eilish’s sound from some of the music that first established her reputation. Its bright pop arrangement contrasts with the quieter, more unsettling atmosphere of several earlier recordings. The success of the song added to her audience without displacing the popularity of the material that came before it.
The second-largest track is “lovely,” her 2018 collaboration with Khalid. It stands at approximately 3.94 billion streams, a remarkable amount of activity for a recording released nearly eight years earlier. Built around an intimate vocal exchange and a restrained, melancholy arrangement, the song remains one of the defining collaborations in her catalog.
Next comes “bad guy,” the 2019 hit from her debut album, When We All Fall Asleep, Where Do We Go? The track has passed 3 billion streams and remains one of her most recognizable recordings. Its playful, confrontational performance style and distinctive rhythmic production helped establish the musical identity that introduced Eilish to a much larger pop audience.
Those three songs are connected to another recently reported achievement. Billie Eilish was identified as the first female artist with three tracks exceeding 3 billion streams each on Spotify. That is a separate claim from the combined 60-billion milestone, which concerns the total of every tracked recording credited to her. Neither figure should be described as an all-time worldwide record across every artist without additional comparative evidence.
Her catalog’s reach also extends well beyond the three leading songs. “when the party’s over” has surpassed 2.59 billion streams, while both “WILDFLOWER” and “ocean eyes” are above 2.3 billion. These recordings were released at different stages of her career, yet their cumulative figures show that listeners continue returning to music from across those periods.
“ocean eyes” is particularly notable because it belongs to the beginning of her public career. The early recording introduced her voice to an expanding online audience well before her first full-length album. Its presence among her most-streamed songs illustrates how an artist’s earliest breakthrough can retain an audience long after later hits have entered the picture.
“WILDFLOWER,” meanwhile, provides another example from Hit Me Hard And Soft. Its performance demonstrates that the album’s sustained streaming activity is not limited to “Birds Of A Feather.” Elsewhere in the catalog, “everything i wanted” has exceeded 2.19 billion plays and “Happier Than Ever” is approaching 1.96 billion, adding substantial totals from other release periods.
Looking at these recordings together helps distinguish a successful single from an enduring catalog. A song may experience rapid growth during its original promotional period, but cumulative artist totals depend on the continued performance of many tracks. Older songs, recent singles, album material and collaborations all contribute to the number appearing in the independent tracking data.
There is also an important distinction between streaming totals and monthly listeners. The former counts accumulated plays, while the latter estimates the number of distinct listeners within a particular reporting period. The two measurements describe different kinds of activity and cannot be substituted for one another when assessing the reach of an artist’s music.
The source of the milestone is another essential qualification. Kworb is a third-party service that compiles and displays music consumption data. Spotify itself has not publicly confirmed the specific 60-billion figure cited in the report. Because streams accumulate continuously, the detailed numbers are tied to the date of the snapshot and should not be presented as permanent totals.
For Billie Eilish, the figure reflects the combined popularity of her early recordings, major international hits and more recent releases. It is a cumulative measure of the audience activity surrounding her music, with “Birds Of A Feather” currently making the largest contribution. The milestone belongs to the full catalog, rather than to any single song or one moment in her recording career.
