LISA launched her Viva La Lisa concert series in Las Vegas on November 12, 2026, delivering a 90-minute opening-night performance at The Colosseum at Caesars Palace. The BLACKPINK singer, rapper and dancer presented 22 songs across five chapters, combining choreography, changing stage looks and highlights from her solo catalog. The show featured all six tracks from her new Press Play EP, opening with “Tarantino” and closing with “SaWaDiKa,” as she became the first K-pop artist to headline a Las Vegas concert residency.
LISA opened a new chapter in her solo career on Thursday, November 12, bringing Viva La Lisa to The Colosseum at Caesars Palace. The opening performance introduced a stage production built around five distinct chapters, combining music, choreography and a succession of visual looks across approximately 90 minutes.
The concert also marked a first for K-pop in Las Vegas. According to Caesars Entertainment, the BLACKPINK member is the first K-pop artist to headline her own Las Vegas concert residency, a format that places her solo material at the center of a dedicated series of performances.
Instead of drawing from BLACKPINK’s group catalog, LISA built the evening around songs released under her own name. The setlist included 22 tracks, covering her early solo singles, selections from her debut album Alter Ego and the complete six-song Press Play EP.
The show was divided into five chapters, each introducing a different selection of songs and stage presentation. Choreography played a central role, while the production also featured fire effects, lighting changes and costumes incorporating leather and other striking performance pieces.
Chapter one began with “Tarantino,” the opening song from Press Play. It was followed, in order, by “Fuck Up the World,” “Bad Girl,” “V12” and “Rockstar.” The first section therefore introduced two songs from the latest EP while also bringing one of her most recognizable solo hits into the opening stretch.
Positioning “Rockstar” at the end of the first chapter gave the performance an early connection to the music that helped establish her independent career. The single arrived in 2024 and became an important release during her transition from group activities toward a wider solo catalog.
The second chapter featured “Sweat,” “Elastigirl,” “Goals,” “Rapunzel” and “Money,” in that exact sequence. This section brought another Press Play track into the show before moving through songs associated with different stages of her solo work.
“Money” closed the chapter, returning to one of LISA’s earliest individual successes. Originally released in 2021, it remains closely associated with her emergence as a recording artist outside BLACKPINK, making it a natural inclusion in a concert built around her personal discography.
The presence of “Goals” also connected the setlist with her more recent collaborative projects. Alongside “Elastigirl” and “Rapunzel,” the song helped demonstrate how much solo material she has accumulated since releasing her first singles.
Chapter three changed the musical selection with “Moonlit Floor,” “Dream,” “When I’m With You” and “Born Again.” These tracks allowed the concert to explore different aspects of her recorded output before concluding the section with one of her most prominent international collaborations.
The studio version of “Born Again” features Doja Cat and Raye. Their contributions remain part of the song’s original recording, but there has been no confirmation that either artist joined LISA onstage during the November 12 performance.
The fourth chapter began with “Cut U Off” and “Cobra,” followed by “New Woman” and “Leave With Me.” The first two tracks came from Press Play, bringing the total number of songs performed from that project to five before the final chapter.
“New Woman,” originally recorded with Rosalía, was another notable inclusion. As with the other collaborations, the song’s place in the setlist does not indicate that its guest artist appeared at the concert. The opening-night account identifies LISA as the performer leading the production.
The fifth and final chapter contained “Thunder,” “Bad Angel,” “Lifestyle” and “SaWaDiKa.” This sequence completed the 22-song program, with the newest EP once again providing the final musical statement of the evening.
Closing with “SaWaDiKa” gave the show a direct connection to LISA’s Thai heritage. The track incorporates references to her home country, providing a distinctive conclusion to a concert presented within the established entertainment setting of the Las Vegas Strip.
Press Play was released on October 23 and features six tracks: “Tarantino,” “V12,” “Cobra,” “Cut U Off,” “Sweat” and “SaWaDiKa.” All six appeared during opening night, spread throughout the five chapters rather than grouped together as a separate EP performance.
The setlist also drew extensively from Alter Ego, LISA’s first solo studio album, released in February 2025. That record debuted at No. 7 on the Billboard 200 and introduced a broader range of sounds and collaborations to her work beyond BLACKPINK.
Viva La Lisa follows her solo Coachella appearance in 2025 and her acting debut in HBO’s The White Lotus. The Las Vegas production represents another different setting for her work, with a fixed venue and a concert concept designed around her independent material.
Demand for the performances had already prompted an expansion of the schedule. The first four announced dates sold out in less than ten minutes, leading organizers to add November 12 and 29 and bringing the complete run to six shows.
Following opening night, LISA is scheduled to return to The Colosseum on November 13, 14, 27, 28 and 29. The debut performance has now established the show’s five-chapter format and a complete 22-song setlist, from the first notes of “Tarantino” to the closing performance of “SaWaDiKa.”
